Voodoo has over 50 million followers worldwide. Voodoo is a word of dahometer origin meaning spirit or god.
Voodoo is a system of beliefs and rights of African origin.
This popular religion, which miles pagan rites and beliefs with catholic practises, has sad to say long stood in bad repute.
In Brazil and Cuba, where voodoo flourishes under the names of candomble - macymba - chango - santeria or naniguismo, has millions of followers.
Types of voodoo also flourish in Trinidad and Jamaica and even New Orleans, where black and white magic is still called Hoodoo.
In the practise of Voodoo, the Voodoo Doll represents the spirit of a specific person. You refer to the Voodoo Doll the same as if You are talking direct to the person the Voodoo Doll represents. You can give directions to the Voodoo Doll to change an attitude, change their ways, etc. Voodoo Dolls are mostly used for positives, but can also be used for acts of revenge. If you wish to attract the love of another, you can stick a pin the heart of the Voodoo Doll. You can also request the voodoo doll to call upon powerful forces known as Loa.
Voodoo Dancing is intimately linked with voodoo worship and indeed takes so prominent a place in it that voodoo might almost be defined as a dance religion. The drums beating out dance to some extent become the very symbols of voodoo. The drummer is the life and soul of every ceremony. Drummers play their music all through the night with a fierce passion which is occasionally frenzied. For voodoo worshipers a drum is more than a sacred instrument, it is the vessel of a deity. Drums are worshipped and marks of respect are shown upon them. The drum beats govern the steps and movements of the dancers. They also invoke numerous families of Voodoo gods since dancing is a ritualistic act. Music and dancing please the gods because the gods too are dancers. The dancers revolve around the poteau-mitan, each one making up their own steps. Songs are used as accompaniments to dancers.
Voodoo Drawings: Since spirits manifest themselves through people, no statues or pictures are needed. Use is made during ceremonies of symbolic drawings, called veve. Depending on the spirit, these designs are drawn on the ground with wheat, maize flour, crushed birch, coffee grounds or ash. The priest takes a pinch of powder from a bowl and outlines geometric figures, objects or animals.
Certain veve, composed of the symbols of gods extend the full length of the peristyle. It is on these drawings that offerings and the bodies of sacrificed animals are placed. They also possess the magic power of attracting the spirits.
Aboba - Ritual acclamation which punctuates the end of rada songs.
Ago - Ritual explanation meaning attention.
Aizan - Has the power of keeping away evil.
Assein - It is kept before the alter for holding candles.
Atutu - Brings to end a period of retreat.
Bagi - Sanctuary room containing the alter to the loa.
Baki - Evil spirit.
Caprelata - Magic charm.
Caye - Creole word for house.
Creaole - Native to the country.
Djevo - Initiation room.
Ganmelle - Wooden trestle to hold food for loa.
Hungan - Voodoo priest.
Loa - Supernatural being, god, etc.
Petro - Group of voodoo gods and spirits.
Roumbler - The calling of loa by beating drums.
New Orleans Voodoo arrived with the slaves from the Caribbean. Later, more slaves arrived from Africa and Haiti bringing with them more Voodoo. The first official reference to Voodoo WAS in 1782. Over time, many of these slaves were forced into the catholic church, and as such eventually started to use catholic icons in the Voodoo hierarchy. Voodoo in New Orleans became so prominent that it became a major part of the way of life. Till this day, New Orleans Voodoo is still a powerful force on the culture of New Orleans.
The classic form of sorcery with a Voodoo doll symbolizing the victim in Haiti is well known. Another form used by the sorcerer, by means of incantation, is to lure the soul of the person into a bucket of water. When he sees the image of his victim reflected into the water, he stabs it. If successful the water immediately reddens. A person may also be killed if if certain rites are carried out on objects which have belonged to the victim. Whoever casts a spell on an enemy runs the risk of having his secret discovered by a hungan, who in response to demands from the victims family, will not hesitate to pay back in full to the person who cast the voodoo spell.
In Voodoo Spells the "cure-all" was very popular amongst followers of Voodoo. The "cure all" was a voodoo spell that could solve all problems. There were different recipes in Voodoo Spells for "cure all", one recipe was to mix jimpson weed with sulphur and honey. Placed in a glass, rubbed against a black cat, and then slowly sipped. To keep your partner faithful in Voodoo Spells, just write the name of the partner on a slip of paper and place in the chimney of your home. Prayer upon the note. In New Orleans Voodoo, the most popular Voodoo Spell was "gris-gris". To stop a voodoo spell being placed upon you, acquire some bristles from a pig cooked at a Voodoo ritual, tie the bristles into a bundle and carry them on you at all times.
Voodoo worshipers are divided into groups centered around a temple (houmfo). This belongs to a priest (houngan) or priestess who directs the ceremonies and serves as intermediary between the believers and the supernatural powers. The priests are attended by hounsi (servants of the gods) who assist them in their offices. Hounsi are chosen from amongst the kanzo, those who have been fully initiated.
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